I thought, in a change of pace, I would do my first poem today. In contrast to 漢文, they are called 漢詩, and since it’s my first, I might as well do one of the most famous poems by one of the most famous poets.
香炉峰下、新卜山居、草堂初成、偶題東壁 by 白居易 (Note it is read vertically)
故 心 司 匡 香 遺 小 日
郷 泰 馬 廬 炉 愛 閣 高
何 身 仍 便 峰 寺 重 睡
独 寧 為 是 雪 鐘 衾 足
在 是 送 逃 撥 欹 不 猶
長 帰 老 名 簾 枕 怕 慵
安 処 官 地 看 聴 寒 起
香炉峰： The northern peak of Mount Lushan (廬山), which appears often in 漢詩. By the way, a 香炉 is an incense burner.
卜 ぼくシ： Here, to find land suitable to live on.
草堂： A grass-thatch home. 庵（いおり）
偶 たまたま: Sometimes written 隅々
題東壁： It was common practice for poets to write poems on the walls of their homes (or their friends’ homes).
慵 ものうシ： 気だるい
小閣： A small two-story home. A 閣 is a building of two or more stories.
衾 ふすま： 掛け布団
遺愛寺： A temple to the north of 香炉峰.
欹枕 まくらヲそばだテテ： Prop up the pillow.
香炉峰雪撥簾看 こうろほうノゆきハすだれヲかかゲテみル： This is a famous line, made so by its appearance in 枕草子. (雪のいと高う降りたるを、例ならず御格子まゐりて、炭櫃に火おこして、物語などして集まり侍ふに、「少納言よ、香炉峰の雪いかならむ。」と仰せらるれば、御格子上げさせて、御簾を高く上げたれば、笑はせ給ふ。） It shows us how big 漢詩 and 漢文 were in Heian Japan.
匡廬 きょうろ： A different name for 廬山.
便是 すなわチこレ： すなわち～である. 是れ means である here.
逃名地 なヲのがルルノち： A place fit for escaping secular pursuits of fame and fortune.
司馬 しば：When 白居易 wrote this poem, he had just been demoted to a 司馬, a sinecure position, in 815.
仍為 なホ たリ(二～一)： つまり～である
心泰身寧 こころやすクみやすキハ： Why are these read やすし? Don’t forget about 安泰 and 安寧.
故郷何独在長安 こきょうなんゾひとリちょうあんニあルノミナランヤ： This is known as 累加形. 反語形の「何ぞ～んや」 and 限定形の「独り～のみ」 combine to mean どうしてただ～だけであろうか （いや、それだけではない）. “Why should 長安 be my only hometown?”
It’s a nice poem, huh? We’ve all had these moments, where we wake up and are perfectly content with life, not worrying about the day ahead of us. Funny, these days usually seem to be in the winter when we are bundled up in our covers.
白居易 (はくきょい), 字：楽天, is perhaps the most famous of the 漢詩 poets. He started writing poems around five or six years old and began to serve the court when he was 29. At 44, he exceeded his power and made a direct appeal to the emperor and, as a result, was demoted to 司馬 (which is what this poem is about). In this poem, particularly in the verse, 匡廬便是逃名地, we can clearly see 白居易’s life view. He also wrote many poems criticizing the government satirically.